Studies for an armor is presented as a shell to the real and imaginary memory in the inexorable context of isolation; where the act of writing has no more justification than that of confessing questions and answers; of converting the poetic moments of life into images; of making her own objects and random moments of it. In this proposal we find the stillness of movement and my tireless need to resurrect each of my memories. The text is built based on reproducing my experience and visual imagination, through lines that make explicit the most genuine emotions.
En trabajos anteriores me he concentrado en explorar mi relación con la memoria y su forma de representarse a sí misma.. Esta propuesta está motivada por la analogía entre el tiempo y las costumbres del hombre., which generates questions present from the very genesis of the project: how can we materialize character in words? How does the "I" manifest itself through these handwritten drawings? These questions have been discussed both from the rational and from the symbolic plane, marcando una trascendencia en la ciencia, La religión o el alma humana.. Para mi propuesta utilizo la referencia personal., la memoria historica, the breaking of time to question the presence of the "I" in the events of the past and present. Palabras como memoria e inamovible., if they are written together, they can only be understood as a metaphor in permanent alliance with time. Para mi, the absence of these moments - in no case trivial - definir el estado temporal o duradero de personas y cosas.